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  • Vimby: Jon Hope





    It may be the smallest state in the country, but there's no shortage of talent in Rhode Island. Perhaps that's why Vimby chose to make a stop in the tiny state, getting a chance to get up with Providence emcee, Jon Hope. Jon talks about his grass-roots indie grind and New England's place in the national hip-hop scene. If you haven't done so yet, check out Jon Hope's Somekind of Wonderful EP.

  • Audio/Video: Outasight "Everything's Alright" x Rolling Wit Me Ep. 11
    [video:http://vimeo.com/5119856 485x364]

    New music from the homie Outasight "Everything's Alright" produced by 6th Sense and "featuring" Stevie Wonder. Yes, he had the audacity to chop up a Stevie Wonder classic... but can you really hate on this song? I can't, though I do wish the track was longer. Above is the latest episode of OU's "Rolling Wit Me" video series. In this edition we get coverage of OU's recent show at Santos Party House N [...]

  • Audio: Daft Punk & Substantial "Make Love (Chew Fu's Small Room Sax Fix)"


    All you Daft Punk lovers are gonna want to check out this one right here. Sheena Beaston put together a collaborative project to remix the entirety of Daft Punk's Human After All album. The project is entitled, Remix After All (download here). 10 web outlets chose 10 producers they felt would fit best to remix a chosen song off the album. The good people at QN5 chose [...]

  • The Roots, Ornette Coleman, David Murray + Vernon Reid in LONDON This Saturday


    Tomorrow the UK will be the first nation over-seas to welcome The Roots for a concert since their day job at Late Night With Jimmy Fallon.  And this ain't just any old Roots show.  The Royal Festival Hall in London will host "Ornette Coleman's Meltdown," featuring The Roots with special guests David Murray and Vernon Reid.  Ornette Coleman, David Murray, The Ro [...]

  • Slum Village - Remember The Classics [Mixtape]


    Just in time for the weekend, here's some good music for your tape deck ipod. For those of you that are new to Slum Village and for the old fans in need of a good fix, Scrap Dirty & The Violator Allstar DJs present: Slum Village - Remember The Classics Mixtape. RIK dropped this tape today filled with vintage SV, compiled by DJ Supa and hosted by Big Nat. Follow me after the jump for the [...]

  • Sila featured in the San Franc…

    Sila featured in the San Francisco Chronicle Date Book: http://tinyurl.com/qjal7h



  • Giving a classic some new – and trippy – pop



  • New Single “Chrome” blowing up…

    New Single “Chrome” blowing up on radio. Check it out: http://bit.ly/MWyoP



  • Album Review: Los Amigos Invisibles-Comercial

    Comercial, Los Amigos Invisibles new album set to be released June 9, 2009 on, Nacional Records, is, as the name suggests, commercial yet still downright danceably funky. I challenge you to listen to the first three tracks of this album without dancing at some point. Already a radio hit across Latin America, the opening track, Mentiras, kicks you in the ass immediately. Los Amigos have a reputation for simply keeping it reliably funky, and they waste no time in pursuing that agenda on Comercial.

    Make no mistake, the theme of the record is to be accessible. Comercial was a concept to which the band adhered when making the album. "The title of the album came out of a desire to make a more accessible record for even bigger crowds," commented Jose Luis Pardo, lead guitarist and primary songwriter. Los Amigos undertake a heavy touring schedule and have evolved as a band performing live. Their objective to make their music commercial is part of a larger mission to make people dance.

    As if they needed any extra help in that end, they enlisted the help of several stars of the Latin-American music scene: Jorge Gonzalez (of Los Prisoneros), Natalia Lafourcade, Argenis Brito (Senor Coconut), and Los Tetas' C-Funk. If you've never heard of any of those people, or you love them all, you'll love this record. It's funky, it's simple, it will make you dance. If that's what you look for in your musical selection, Comercial will be available on Itunes and in record stores worldwide one week from today.




  • Album Review: The Superpowers-Trance for Nation

    Trance for Nation, The Superpowers new album released April 1, 2009 on Young Cub Records, wastes no time bringing the funk with a booming horn section balanced by the deep pocket of their groovtasticly funky rhythm section. The Superpowers achieve a perfect balance from top to bottom of the sound register--the guitars provide a link between the aggressive horns and intricate percussion. Claude and Rudy Gomis' voices glide over the richly textured ensemble as guest appearances for three tracks.

    Trance for Nation showcases The Superpowers ability to play with dynamics. Within a single track they can sink and pulse into a deep groove, then push out of it into an up tempo progression, and sink back down again. On the whole, the album is very versatile alternating between sharp, aggressive tracks and deep relaxed tempo songs.

    Connected is a slow deep groove reminiscent of Egypt 80 cuts like Look and Laugh or Beasts of No Nation. The title track, Trance for Nation, is also reminiscent of Egypt 80--the macabre drum beat, the open guitars, the sustained horn lines. Claude Gomis brings a perfect element to The Superpowers texture. The Superpowers cool guitars and tight horns mesh perfectly with Gomis' sly voice.

    32 bit could be the best track on the album. It highlights the strength of The Superpowers sound--their ability to balance both aggressive and cool elements within a single track and achieve a duality of sound. Trance for Nation is composed of music the band has been performing live for months at clubs in Brooklyn, so the album incorporates their ability to accentuate dynamics and push the energy of the music during a live performance.

    The Superpowers are a group of young musicians with a lot of potential. They represent the generation of young musicians using Afrobeat to push their sound. Much like Antibalas, Nomo, and Budos Band, they utilize afrobeat arrangements and instrumentation and use the word to form part of their identity, but don't limit themselves to any one genre or attribute their influences to one specific element.

    The Superpowers play monthly at Zebulon, and are opening for Chico Mann on July 23rd at Southpaw. Trance for Nation is available on Itunes, and if you like what you hear, you'll be blown away when you see them on stage.



  • Album Review: Esau Mwamwaya and Radioclit-Esau Mwamwaya and Radioclit Are the Very Best

    Speaking in superlatives is not always smart, but sometimes it's the safest way to be succinct. Maybe that was the line of thinking at Green Owl Records when they titled their mixtape, "Esau Mwamwaya and Radioclit are The Very Best." Honestly, they're not the very best, but they're pretty damn good. Esau Mwamwaya is a singer from Malawi who's making waves for his remix of MIA's Paper Planes internationally among the musically informed. This mixtape showcases his versatility as he sings over remixes of everything from Vampire Weekend's Kwassa Kwassa to Architecture In Helsinki's Heart It Races.

    Esau Mwamwaya was born in Mzuzu, Malawi. He grew up in the capital, Lilongwe, where he played drums with various groups, including the Masaka Band. He was a good friend of the legendary Evison Matafale and they played together for several years before Matafale was killed in Malawi police custody in 2003.

    In 1999, Esau moved to London, England and has, until recently run a second-hand furniture store in Clapton, East London. Esau's shop was on the same street as Radioclit's old studio, and after the Radioclit boys bought a bike from Esau, they invited him to one of their housewarming parties. Soon after, Esau and Radioclit became good friends and they started working on music together. Two years later, the project has a name, The Very Best.

    Download the mixtape for free here





  • Album Review: Extra Golden-Thank You Very Quickly
    Extra Golden is a powerfully vivacious Kenyan-American ensemble that fuses Kenyan Benga and American rock. They are currently touring in support of their latest release, Thank You Very Quickly, an album composed in the wake of Kenya's post-election violence in 2008 and released March 19, 2008 on Thrill Jockey Records.

    Singing in both English as well as Swahili and borrowing guitar riffs from everyone from Jerry Garcia to Djelimady Tounkara, Extra Golden has a unique sound. All six tracks on Thank You Very Quickly are rough and fierce. Using time signatures like 12/8 and employing a distorted, bluesy guitar style, Extra Golden breaks the mold of most African guitar bands. Unlike the clean sound of Congolese Soukous or more traditional Kenyan Benga, Extra Golden sounds dirty and rugged.

    Extra Golden was born during 2004 when Ian Eagleson, Alex Minoff and Otieno Jagwasi began fiddling with each other’s compositions in an apartment in the Buru Buru neighborhood of Nairobi. Eagleson was completing Ethnomusicological field work in Kenya at the time, and what started as casual jam sessions have evolved into three albums and an international touring schedule.

    Extra Golden go about their work with a few simple goals in mind: to write songs that tell stories of life, love and loss; to praise people and places that are dear to their hearts; and, most of all, to create a sound that people of different backgrounds and generations can enjoy.

    If you like to rock regardless of where you're from, I highly recommend Extra Golden's third album, Thank You Very Quickly.

    ExtraGolden.com



  • Femi Kuti Interview

    Femi Kuti is an international protest figure superstar musician from Nigeria, the first-born son of Fela Anikulapo Kuti. He began performing with his father's band, Egypt 80, at age 16. He went on to start his own band, Positive Force, with whom he has released nine albums and toured the world several times since. His latest album, Day by Bay, came out in October, 2008. Femi is on the verge of embarking on a North American tour. I had the honor of speaking with him earlier today at which point he told me The Shrine, his home base club in Lagos, Nigeria, has been forced closed by the Nigerian government:

    The Afrobeat Blog: How would you describe the evolution of your music? Where is your music today that it wasn't several years ago when your last studio album came out?


    Femi Kuti: I'm getting more experience, age, more mature, and so the music is changing with all of this. I'm happy people think it's getting better, people are enjoying it, people support what I'm doing, that's most important.

    The Afrobeat Blog: What are you listening to right now that's inspiring you?

    Femi: Nothing really, I'm trying to start work on my next album, so I'm working on some new stuff

    The Afrobeat Blog: You've shared the stage with a lot of amazing musicians, With whom have you collaborated in your career that you've learned the most from?

    Femi: My father

    The Afrobeat Blog: How old were you when you started playing with Fela and Egypt 80?

    Femi: 16

    The Afrobeat Blog: Who are some African musicians you feel are pushing their genres and innovating new trends in African music today?

    Femi: I think most Africans are trying to do that. There's a lot of hip hop Nigerian artists that are very American-Nigerian orientated. That may be typical of my fathers influence on the music scene. There are many artists developing a unique style for themselves. It would be wrong for me to pick one.

    The Afrobeat Blog: Who specifically within the genre of Afrobeat do you respect and listen to?

    Femi: Nobody.

    The Afrobeat Blog: Nobody, really?

    Femi: What are they going to teach me?

    The Afrobeat Blog: Well, I guess you have a point.

    Femi: Well I mean if I was playing at a concert and any afrobeat band is there, I would be forced to listen. I could listen from my dressing room I could hear. There are not a lot of bands playing good afrobeat, I mean, it's ok. There are many in America, Australia, France. Many are getting hooked on the afrobeat.

    The Afrobeat Blog: As someone who thinks of something different when they hear the black president than someone like me who grew up in the US What did the election of a black president, Barack Obama, mean to you and what do you think it will mean for Africa on the whole?

    Femi: Well, what it means to me might take a while. Barack Obama is first an American, generally, it shows that Americans are open-minded. I never believed Americans would vote a black man or black person President, the highest office in America. Americans are open-minded, there's a new generation of Americans who are not thinking on a racial basis, and are completely open-minded. So that impressed me, that gave me a lot of hope for the world and America. If Americans can see things in this light, there's a strong future for them and the world. America dictates a lot of world opinion, if America moves to the right, the world moves to the right, if America moves to the left, the world moves to the left. It impressed me a lot.

    The Afrobeat Blog: Do you hope because of his African roots Obama will change the way America has dealt with Africa in the past?

    Femi: I hope he will be very objective. I hope he won't be lenient in dealing with the corruption of African governments because he's a black man. I hope he doesn't fall for that. He has to be very objective, because all the African governments are corrupt. So it should not be because he's a black American he should be lenient on corruption, I think that is where he should be hard because he should want Africa to become a great continent. He has to be very hard on his policies, because he has to put an end to the corruption with his policies in Africa. He has to prove that the African government is not being proper democracy according to what we know it should be. The African government is corrupt.

    The Afrobeat Blog: I read in an interview on jambase.com, when talking about the raid on Kalakuta republic that killed your grandmother and ransacked Fela's compound, you raised the possibility of the CIA being involved. What makes you think that's the case and would you clarify your stance on the issue?

    Femi: Because somebody came to warn my father before the attack and warned him the CIA wanted him dead. He said it many times. He was warned that the CIA was going to kill him. I was there, I heard him say it many times.

    The Afrobeat Blog: Who came to warn Fela?

    Femi: An american, I don't want to name names here.

    The Afrobeat Blog: The CIA definitely has a history of targeting African ideologues that oppose them like Patrice Lamumba and many others.

    Femi: Lamumba, anyone, Any western government is always opposed to any Pan-African in government.

    The Afrobeat Blog: One of Fela's major accomplishments that is often overlooked was his ability to mobilize people into action around a cause. A lot of people dismiss him as a dissident, just a crazy musician, but he made things happen in Nigeria organizing youth groups and political action groups. Could you talk about some of the ways in which you've continued his legacy of political action outside of your music?

    Femi: I think its just through music. I stopped giving to organizations because I found out its so corrupt, people are just taking my money, I give people money to make posters you know, put up the flyers, but they get ripped up in the street. And they're just ripping me off in my money. We're at a critical point, where the corruption is so bad, people are so desperate for money right now. It is not smart for me right now. I'll just continue to talk about the problems, sing about the problems, and deal with the problems. I can be in any part of the world today, having a good life, or having a better life than I'm having here [Nigeria], but staying here is a political statement. People are mad at me for staying here, so maybe I mobilize many generations by staying here. Three generations have passed through me knowing I have achieved what I've achieved by staying here in Nigeria. I didn't go to America to stay, I didn't go to Europe, I've stayed here. Everybody told me you've got to move, fuck that. Everybody said I won't be in demand if I stay in Nigeria. I opened the market, I've kept the market my father opened. It won't do any use to admire what I've done. I use my music, what I sing about to make a difference. And I don't want to run for office, any kind of office. I just want to be a musician.

    The Afrobeat Blog: What are some of your unfinished goals for your music career?

    Femi: Wow, that's a question for God Almighty to answer, not me. I want to arrange and produce some albums. I hope I can always impress and please my fans and other people, and my self as well. I'd like to spend more time with my family. What else...I'd like to see Africa Unite in my lifetime I'd like to see highways running north to south east to west like I see in America, I'd like to see big airports like I see everywhere, train stations like I see everywhere, I'd like to see the United Countries of Africa, I would like to see the eradication of poverty and the end of suffering. We're the richest continent I can't understand why we're suffering. I would like to see the end of corruption. And all these things that I stand for in my lifetime, I would like to see an end to it in my lifetime. But that's up to the creator to decide that. I'll just do my part, keep practicing, playing music, and fighting.

    Femi: Just for your information the shrine was closed yesterday by the government. So now we're having a big battle right now, trying to get it open.

    The Afrobeat Blog: On what grounds did they close it, they just decided they didn't want it to be open?

    Femi: They said people were selling things outside, like sweets, and fried meats, biscuits, things like this on the streets, not in the shrine, on the streets, on the major road. Now they're saying we're responsible for those people. So they are closing the shrine because we let people come and sell things there. And we're like how do they expect us to get rid of these people? Do we own the road? The road belongs to the federal government. How we can we go to the federal governments' property and say get out of here? It's the government's problem to do that. They have to remove them not us.

    The Afrobeat Blog: Have they tried to do things like this before?

    Femi: Yea. They have closed the place for two days now, we are losing all kinds of money, our instruments are there, we can't rehearse.

    The Afrobeat Blog: So what can you do to fight them?

    Femi: We don't know yet, we have many options, maybe we are going to court, we don't know yet. Right now we're talking to the office of the commissioner to give us the go-ahead to open the place. They said 10 o'clock this morning, they didn't show up, then they said 2, they didn't open it, so we're still waiting.

    The Afrobeat Blog: Well whatever I can do to help, I'm not sure how receptive the Nigerian government is to petitions from American music fans...

    Femi: Well maybe put it in your article on the internet so that more journalists will put it in their papers, 'The Nigerian government closed the shrine, blah, blah, blah, things like that.


  • Tony Allen Remix Contest

    Ever hear a dope track and think to yourself, "I could make the nastiest remix with that track" ? Well, here's your big chance:

    To celebrate the release of Tony Allen's new album Secret Agent, World Circuit Records are very excited to announce the Tony Allen remix project. World Circuit in collaboration with the good folks at SoundCloud and Propellerhead software are offering the opportunity to remix the title track from the album - 'Secret Agent' - a majestic slice of hardcore roots Afrobeat featuring a driving groove, penetrating guitar, pulsating horn riffs and stirring vocals. Simply put, one of the greatest drummers of all time is giving you the chance to get creative with his legendary beats.

    Get all the necessary components here


  • Petition the Nigerian Government to ReOpen The Shrine!

    In an interview with Femi Kuti I previously published on my blog, I indicated the Nigerian Government had closed The Shrine, the home base performance space of Femi Kuti. The Shrine is still closed, and a petition is now being circulated to reopen it. Here's the petition, if you would like to sign it, go to this website.

    To: the Governor of Lagos and the Nigeria’s Minister of Justice

    THE NEW AFRIKA SHRINE, NIGERIA’S LAST BASTION OF LIBERTY, CLOSED BY THE AUTHORITIES

    Throughout Africa today there are many western-style theatres, mainly built by the Chinese, Africa’s latest colonizers-in-waiting. But only rarely are they administered and operated as cultural centres, open and accessible to anyone other than the bourgeois minority in their SUV’s and Mercedes limos.

    A notable exception to this rule existed in Lagos Nigeria until last week, that is, when it was forcibly closed by the authorities giving less than 24 hours notice and claiming “noise nuisance, illegal street trading, indiscriminate parking, blocking of access roads and obstruction of traffic” as their justification.

    The New Afrika Shrine was built and operated by Femi and Yeni Anikulapo Kuti, the eldest son and daughter of cultural icon, Fela Anikulapo Kuti, who built the original Shrine in the seventies, which endured until shortly after his death in 1997 when it, too, was forcibly closed by the Nigerian authorities.

    Both the old and new Shrines were much more than just music venues. They were a refuge for the homeless and dispossessed, acted as a focal point for dissent and were consequently a thorn in the flesh of the ruling elite. Fela used the stage to launch eloquently savage diatribes against the corruption and mismanagement that was rife in Nigeria, one of the world’s leading oil producing countries, and was a hero to millions for the biting, non-compromising social commentary contained within his lyrics. In the seventies and eighties people flocked to the Shrine to hear Fela’s latest harangue of the country’s leaders and marvel at the powerful music and spectacle produced by his singers, dancers and musicians. Millions, not just in Nigeria but across the African continent, bought his albums and his tours in Europe and America attracted huge audiences.

    Fela paid the price for his brutally frank and widely publicized condemnations of the government and his fierce defense of human rights by being constantly harassed, arrested (more than 200 times) and often savagely beaten, none of which ever diminished the continuing force of his attacks.

    Following his death and the forced closure of his beloved Shrine, Femi and Yeni resolved to re-build an even bigger venue on a nearby site and used their share of income from the global sale of Fela’s albums with which to do so. They were determined to maintain their Father’s legacy and considered the heritage of shelter, support and advocacy as being the most valuable contributions they could make towards the development and creation of a united and democratic African republic.

    Against all the odds, and despite constant harassment from the authorities, they have successfully continued to the Shrine open for almost a decade and have developed a large and faithful following, as well as providing an effective refuge for disaffected youth and the dissemination of preventive information in defense against the Aids pandemic. Femi and his band, The Positive Force, have graced the stage and kept alive the spirit of dissent and social commentary as the backbone of his work. He and Yeni have acted as host to the ever-increasing number of world-renowned artists who have made the pilgrimage to the Shrine and participated in the Felabrations which take place each year on the anniversary of Fela’s birthday. Despite the global recognition of the Kuti family (a musical about Fela is about open on Broadway and a Hollywood film is being made of Fela’s life and work) and their work as three generations of social reformers, the authorities have maintained their opposition and have taken every opportunity to obstruct the continued operation of The Shrine. This has included countless raids, often in the middle of the night, including beatings and harassment of the many homeless youth who seek shelter there, now once again exposed to the elements.

    Now, of course, The Shrine is closed, according to the authorities, permanently. However, after making this pronouncement in writing just a few days ago, they have this morning stated that it may re-open tomorrow. This can, alas, not be viewed as any kind of victory. On the contrary, that a ‘permanent’ closure can be turned around in less than a week only shows that their decision-making process is completely arbitrary. This cat and mouse game, which has been going on for almost four decades must come to an end. When Fela died, the upper echelons of Nigerian government sent letters to the family that were not simply expressions of condolence but were eloquent testimonials to a great man. The present authorities must finally admit that Fela Anikulapo Kuti is Nigeria’s best loved son and accept the earnest request made by the Executors of Fela’s Estate, Yeni, Femi and Kunle Anikulapo Kuti, to:


    1. Once and for all end hostilities and harassment.
    2. Permanently re-open the Shrine
    3. Create the necessary decree to establish and maintain The New Afrika Shrine as a National Heritage Site in recognition of the invaluable contribution made by the Kuti family to the cultural life of the nation.


    To assist this process and make clear to the Nigerian authorities that the Kutis, for almost a century have enjoyed the respect and admiration of not just Nigerians or even Africans, but people of conscience around the world, please add your signature to this petition in support of this proposal, to be forwarded to the Governor of Lagos and to Nigeria’s Minister of Justice.

    2nd June 2009

    Sincerely,

    YOU





  • Camera Obscura on MBE

    Camera Obscura performing "French Navy"

    I’ve been obsessed with the new Camera Obscura album, along with many folks here at the station, since I first heard it. Sweet, upbeat, pop ditties that put a smile on my face, even if the lyrics aren’t as cheerful as the music sounds. Singer Tra...

    Read and post comments | Send to a friend



  • Video: De La Soul "Stakes Is High" Live @ The Key Club
    [video:http://vimeo.com/3682712 500x405]

    No De La Soul performance is complete without "Stakes Is High." In continuation of this post from earlier in the week, BMUSE just sent out this video of De La performing one of their greatest hits at The Key Club last week.

  • Audio: Nice & Smooth + Pac Div "Funky For You '09 (Smirnoff Signature Mix)"


    The Smirnoff Signature Mix Series rolls on with this latest joint, "Funky For You '09." The song is a remake of the Nice & Smooth classic with the addition of Pac Div. We already gave you Nas and Marsha's reworking of "If I Ruled The World," and so the final track to complete the mix series will be Buckshot & Kardinal Offishall's '09 version of "I Got Cha [...]

  • Black Star Reunites!


    Good news, Hip-Hopers Black Star is Back! At least for two shows. On May 30th Talib Kweli and Mos Def will re-unite for two shows at the Nokia Theater (NYC). Tickets are on AMEX presale now (3/25) and go on sale to the general population on 3/27 at noon for the early show (7PM) here, and the late show (11:30 PM) here. After the jump watch the video for one of my favorite Black Star songs "Respiration [...]

  • Video: Ludacris + The Roots "Last Of A Dying Breed" Live on Fallon
    [video:http://www.youtube.com/watch?v=FGWl4HaBL18 500x405]

    As if y'all needed more reasons to watch The Roots' new stint on Late Night with Jimmy Fallon every weeknight. Imagine watching some of your favorite emcees perform with The Roots backing them up, and Black Thought rhyming side by side with them. Last night, Ludacris was the musical guest on Fallon, so watch as he performs his song "Last Of A Dying Breed" off of his LP, Theater Of The Mind, with the he [...]

  • Lisa Shaw on MBE

    Lisa_shaw

    Toronto-born House music singer Lisa Shaw capped off an international week here at KCRW – starting with the Iranian group Niyaz, Mexican dance rockers Kinky, UK’s Robyn Hitchcock and fellow Canadian A.C. Newman. Lisa’s singing career took off whe...

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  • Video: OKPTV Behind The Scenes With The Roots at Late Night with Jimmy Fallon

    OkpTV: Behind the Scenes of Late Night with Jimmy Fallon from Okayplayer on Vimeo.

    Okay, players, set your calendar alarms and DVRs and TiVos and VCRs (seriously?) because tonight is the debut of Late Night with Jimmy Fallon, featuring The Roots as the house band! There's been a bunch of hype already, with articles flying around the world wide web, discussing what The Roots have been up to (including lengthy rehearsals and writing up to 25 songs a day!), but no [...]

  • Video: Royksopp "Happy Up Here"


    Yeah, this video isn't Hip-Hop in the least bit, but I have always appreciated the artistic creativity Norwegian electro duo, Royksopp, added to their vids. This clip is their latest example of said creativity, "Happy Up Here," from their upcoming album, Junior (3/23).

  • Video: No I.D. "The Godfather of Chicago Hip-Hop"
    [video:http://www.youtube.com/watch?v=Y61BfdGNG4g 500x405]

    In this clip, No I.D., "The Godfather of Chicago Hip-Hop," talks with Rolling Out TV about his involvement in the music industry. In case you somehow don't know, No I.D. is the producer who Kanye cites as his mentor, and who was also instrumental in Common's early years (and hopefully his future years as well). Watch the vid, and hear how No I.D. helped put Chicago Hip-Hop on the map.

  • Video: Freestyle 101 - Chali 2na







    Chali 2na, of Jurassic 5 fame, has been getting his name back out there quite a bit as of late. Jurassic 5 recently put out their J5 Deluxe Re-Issue album via decon, Chali was featured on that K'Naan track we posted last week, and today he is the latest MC on G4's Freestyle 101 (apparently he's not famous enough for G4 to spell his name right though). After he spits some bars, Chali speaks about how he began freestylin'.

News image

Two Shows Announced in February

Friday, 22 January 2010

Catch Beef & DiViNCi in Orlando on Feb. 8th at Will's Pub, and Feb. 18th at The Social.

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"Magnetic" - New Release with Remixes

Tuesday, 14 April 2009

Out today on iTunes, Beatport, Stompy, Traxsource, Juno Digital, and many other digital shops!Eighth Dimension‘s premiere effort of 2009 throws down the quality gauntlet for the year ahead with a masterful display across hip-hop, funk and...

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